Unable to move the body and with seconds to spare, Bond, Domino and Kutze leap overboard as the Disco Volante runs aground and explodes violently. He turns and collapses dead on the ship's wheel, jamming the controls. As he prepares to pull the trigger, Domino shoots him in the back with a harpoon. She helps Bond kill Vargas and spies on board the Disco Volante, but is caught and tortured by Largo.Īfter being released by a repentant Kutze, she proceeds up to the ship's bridge to find Largo holding Bond at gunpoint. Domino sees Bond in the water the next day, they go on shore and Bond tells the rather misunderstood Domino the entire predicament that her brother was killed by Largo and Largo plans to create a nuclear holocaust with the bombs SPECTRE gave him. It turns out Paula committed suicide by swallowing cyanide. He leaves Felix with Domino to go and search for Paula, who had been kidnapped by Fiona Volpe. Largo invites Bond to the Nassau Junkanoo.Īfter attending the Junkanoo with Bond, Domino tells Bond that Felix Leiter is trying to contact him. She leaves Bond with Largo to go make lunch. At Largo's home, Palmyra, Domino is swimming when Bond visits. Domino and Bond slow-dance outside, but Largo collects her. Domino tells Largo that Bond pressed her to a drink. Domino was smoking a cigar as Bond bid in the game against Largo. A sign that Domino had to go back to the Disco Volante.Īt the hotel Bond stayed in, Bond sees Domino with Largo. Paula takes care of their boat as Bond is about to learn more about Domino. Bond swims back to his boat with his Nassau contact, Paula Caplan. She swims up to her boat and thanks Bond. Her foot gets stuck in a form of ocean floor, but Bond sets her free. Bond had recognized her brother from a photograph, having seen him dead the night before at the Shrublands health clinic, and requests that he be allowed to investigate this potential lead as opposed to his original assignment.ĭomino is seen when Bond is swimming in Nassau. Running time: 1 hour 29 minutes.James Bond first heard about Domino during a briefing from M to all the double-0 agents in Europe. Rated R for language, themes, violence, a paranoid vision of the world come true. At times during “Domino,” the director seems practically giddy about it. The death-dealing, all-voyeurism-all-the-time world that De Palma has been imagining in some form or another since the late ’60s, has, he recognizes, finally come into actual being, and it’s worse than he, or anyone, ever imagined. But his direction often compensates with B-movie energy, particularly when he’s able to concentrate on his perverse vision. The scene in which she takes the weapon/camera ensemble to the Netherlands Film Festival is quite a set piece.ĭe Palma can’t realize all the elaborate effects he clearly wanted (the film’s climax occurs at a bullfight that’s conspicuously not crowded). One of them has a machine-gun-mounted video camera with sensors recording both the shooter in close-up and the victims, and feeding the images to a split-screen display. Even blockbuster exercises such as “Mission: Impossible” (1996) managed an acerbic undercurrent.Īnd what jihadists they are. De Palma’s career took off with the paranoid comedies “Greetings” and “Hi, Mom!” five decades back, and his filmography has encompassed horror, crime and other genres, all delivered with a sardonic edge. Under other circumstances, the director, Brian De Palma, might have squeezed some mordant humor out of his protagonist’s ineptitude. During a rooftop chase that looks like the opening of Hitchcock’s “Vertigo” reimagined as a vintage Doublemint gum ad, Christian manages to lose the borrowed weapon, too. This allows the fearsomely bearded suspect, Ezra (Eriq Ebouaney), to fatally assault that partner. Later, at a crime scene - a grisly torture-murder - he borrows his partner’s gun. Leaving his apartment to go on an early morning shift with his partner and pal Lars (Soren Malling), and distracted by the nude woman trying to get him to stay, Christian forgets to take his gun with him. The Copenhagen cop Christian (Nikolaj Coster-Waldau) is a pleasant fellow but not a terribly good police officer.
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